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Lehrende/r: Jun. -Prof. Dr. Hui Luan Tran
Veranstaltungsart:
Tagung
Anzeige im Stundenplan:
Tagung / Konferenz
Semesterwochenstunden:
2
Unterrichtssprache:
Deutsch
Min. | Max. Teilnehmerzahl:
- | -
Voraussetzungen / Organisatorisches:
Jun.-Prof. Dr. Hui Luan Tran (in Kooperation mit Jun.-Prof. Dr. Maurice Saß, Alanus Hochschule Alfter/Bonn)
Die Konferenzsprachen sind englisch und deutsch.
Inhalt:
‘Nature’ is a key category in the history of early modern art. Drawing on eco-critical theories which have recently gained considerable prominence in studies of 19th to 21st century art, the workshop's concern is to identify moments in the early modern visual arts negotiating or even subverting the common dichotomy of nature/culture.
The focus will be on objects, sculptures, paintings, prints, architectures, landscapes, and other media that is characterized by a high 'terrestrial' sensitivity documenting, reflecting, or shaping the dynamic integration of human action into a broader ecological context.
Against this background, the workshop aims to enable an expansion of art historical methodology by recalibrating the processes of artistic creation within the early modern period. Including different regions, discourses and cultures, the speakers of this conference will outline possible contributions early modern art history can/might offer in the face of the recent ecological crisis
Zusätzliche Informationen:
PROGRAM
THURSDAY, NOVEMBER 24, 2022
14.00 | INTRODUCTION
Hui Luan Tran (University of Mainz) & Maurice Saß (Alanus University of Arts and Social Sciences, Alfter/Bonn)
14.15 | STRUGGLE WITH ‘NATURE’
Chair: Jasmin Mersmann (The University of Art and Design Linz)
Carla Hermann (State University of Rio de Janeiro)
Triumph over Nature in Rio de Janeiro. Perceptions on the Carioca Aqueduct
Maurice Saß (Alanus University of Arts and Social Sciences, Alfter/Bonn)
Without Nature. Rubens’ "Flat Landscape with Clouds"
15.15 | BREAK
15.45 | James Pilgrim (Vanderbilt University)
Jacopo Bassano’s Ecological Poetics
Susanne Thürigen (Germanisches Nationalmuseum, Nuremberg)
Der Dreißigjährige Krieg als Naturkatastrophe
16.45 | BREAK
17.15 | ECOLOGIES OF SACRAL LANDSCAPES
Chair: Gregory Bryda (Barnard College / Columbia University, New York)
Isabella Augart (University of Go¨ttingen)
Vom Zusammenleben in der Natur. O¨kologien des Eremitentums in der italienischen Malerei um 1400
Virginia Girard (Columbia University)
Geomythology in Early Netherlandish Painting
18.15 | BREAK
18.45 | Annette Kranen (University of Bern)
Sacred Wilderness. Ecologies of Salvation after the Council of Trent
Sylvia Wu (University of Chicago)
Inventing Lingshan’s Ritual Environments: Muslim Devotional Practices in Little Ice Age Quanzhou
19.45 | END OF THE FIRST DAY
FRIDAY, NOVEMBER 25, 2022
14.00 | ARTISTIC MATERIALS AND THEIR SUSTAINABILITY
Chair: Allison Stielau (University College London)
Tobias Locker (Grenoble Alpes University)
The Hidden Side(s) of Early Modern Exoticism: Furniture and the Impact of Material Culture on Biophysical and Human Ecologies
Daniela Bohde (University of Stuttgart)
Albrecht Altdorfers „Fichte mit Holzfäller" und der Wald als Ressource.
15.00 | BREAK
15.30 | Iris Brahms (University Hamburg)
O¨kologien blauen Papiers. Nutzungskonzepte seit Du¨rer
Catherine Walsh (University of Montevallo)
Passages of Sculpture: Moving Marble for Michelangelo’s Slaves
16.30 | BREAK
17.00 | EXPLORING EARTH & SEA
Chair: Charlotte Smith (University of Bonn)
Hannah Baader (Kunsthistorisches Institut in Florenz – Max-Planck-Institut)
Guarda che luna, guarda che mare. Languages of Ecology and Art in Early Modern Italy
John White (Princeton University)
Waves, Ships, Seashells, and Corals: Joseph Furttenbach and Oceanic Ecologies of Early Modern Art
18.00 | BREAK
18.30 | Elizabeth J. Petcu (University of Edinburgh)
Visualising Systems of Resource Extraction in Later Sixteenth-Century Europe: Bernard Palissy vs. Georgius Agricola
María Lumbreras (University of California)
The Meterosensitive Relic. Ecologies of Ancient Craft in Granada c. 1596
20.00 | END OF THE SECOND DAY
SATURDAY, NOVEMBER 26, 2022
13.00 | RE-BALANCING LIVING BEINGS
Chair: Thomas Hughes (The Courtauld Institute of Art, London)
Christa Syrer (University of Munich)
Nachhaltiges Bauen. Ökologie und Gesundheit in frühneuzeitlichen Architekturtheorie
Jesús Muñoz Morcillo (Karlsruhe Institute of Technology)
Ekphrastic Anatomy as Ecological Embodiment: New Remarks on Galen’s Vivisection in Andrea Vesalius’ Decorated Q
Silke Förschler (University of Kassel)
John Francis Rigauds Porträt der Forsters (1780): Eine Reflexion naturhistorischer Bildentstehung
14.30 | BREAK
15.00 | ARTISTIC PRACTICES AND THEIR ECOLOGIES
Chair: Ulrike Keuper (DFK Paris)
Hui Luan Tran (University of Mainz)
Fein gesponnene Linienwerke – Metapoetiken des (Spinnen-)Netzes
Anna Grasskamp (University of St. Andrews / University of Munich)
(Re)Made in China: Early Modern Practices of Recycling
Henrike Haug (University of Cologne)
Kunststoffe // Frühmoderne Positionen zum Glas und zur Keramik
16.30 | END OF THE CONFERENCE
Digitale Lehre:
Die Tagung findet online via zoom statt, der Link wird per Jogustine-Nachricht bekannt gegeben.
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